Sennheiser Computer Hardware MKH 800 User Guide

GEBRAUCHSANLEITUNG

INSTRUCTIONS FOR USE

NOTICE D‘EMPLOI

ISTRUZIONI PER L‘USO

INSTRUCCIONES PARA EL USO

GEBRUIKSAANWIJZING

MKH 800

Gebrauchsanleitung

Kurzbeschreibung . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Anschluß und Speisemöglichkeiten . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Befestigung auf dem Stativ / Einspracherichtung . . . . . . . . . . . . . . . . . . . .

Anwendungshinweise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Wahl der Richtcharakteristik . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Vordämpfung einstellen / Klangkorrektur . . . . . . . . . . . . . . . . . . . . . . . . . 10

Zubehör . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Technische Daten . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Soll-Frequenzgänge mit Toleranzfeldern / Polardiagramme . . . . . . . 53-57

Wirkung der schaltbaren Filter: Höhenanhebung / Baßabsenkung . . . . 58

Instructions for use

Brief description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Connecting facilities / power supply . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Stand mounting / acceptance angles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Application tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Selection of pick-up patterns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Preattenuation / tone control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Accessories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Technical Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Nominal frequency response with tolerance field / pick-up pattern . 53-57

Switchable filters: treble emphasis / bass attenuation . . . . . . . . . . . . . . . 58

Instructions pour l‘usage

Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Raccordement et alimentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Fixation sur pied de microphone / direction d´où on parle au microphone . 23

Instructions pour l´emploi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Sélection de la directivité . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Réglage de la préatténuation / correction du son . . . . . . . . . . . . . . . . . . . . 26

Accessoires . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Caractéristiques techniques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Réponse en fréquence / diagrammes de la directivité . . . . . . . . . . . . 53-57

Effet des filtres commutables: accentuation des aiguës / atténuation des graves 58

Istruzioni per l‘uso

Breve descrizione . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Collegamento e possibilità di alimentazione . . . . . . . . . . . . . . . . . . . . . . . . 30

Fissaggio al cavalletto / direzione entrata microfono . . . . . . . . . . . . . . . . . . 31

Avvertenze per l’impiego . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Selezione della caratteristica di direttività . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Regolazione della preattenuazione / correzione del suono. . . . . . . . . . . . . . 34

Accessori . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Dati tecnici . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Risposte arnomiche nominali con campi di tolleranza / diagrammi polari . . 53-57

Effetto dei filtri commutabili: accentuazione degli alti / taglio dei bassi . . . . . . . . 58

Modo de empleo

Descripción . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Conexión y alimentación . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Fijación sobre soporte de micrófono / dirección de la se habla en el micrófono . 39

Instrucciones de empleo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Selección de la directividad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Ajuste de la preatenuación / corrección del sonido . . . . . . . . . . . . . . . . . . . 42

Accesorios . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Características técnicas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Respuesta en frecuencia / diagramas de la directividad. . . . . . . . . . . 53-57

Efecto de los filtros conm.: acentuación de alturas / atenuación de bajos . . 58

Gebruiksaanwijzing

Korte beschrijving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Aansluiting en voedingsmogelijkheden . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Bevestiging op het statief / inspreekrichting . . . . . . . . . . . . . . . . . . . . . . . . 47

Gebruisaanwijzing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Keuze van de richtkarakteristiek . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

Het instellen van de voordemping / klankcorrectie. . . . . . . . . . . . . . . . . . . 50

Accessoires . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Technische gegevens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Ingestelde frequentiekarakteristiek met tolerantie-velden / pooldiagrammen 53-57

Werking van de regelbare filters: hoogte-ophaling / basverlaging . . . . . . . . 58

INSTRUCTIONS FOR USE

MKH 800

Brief description

The MKH 800 is a versatile studio condenser microphone with five different

pick-up patterns. It incorporates a push-pull transducer featuring a high linearity.

•

Extremely low inherent noise - no masking effects; the recording gets an

extraordinary sense of space and depth

Excellent sensitivity for interference-free sound reproduction and high

signal strength. The inherent noise of following microphone amplifiers is

negligible.

•

The frequency range, which is extended to up to 50 kHz, improves the

resolution for complex acoustic details.

Stable directivity prevents coloration both in the near field and in the

diffuse field.

No negative acoustic effects caused by the housing or the sound inlet

basket.

The mic´s slender design and small dimensions make it visually

unobtrusive.

Connecting facilities/power supply

The MKH 800 is designed for 48 V phantom powering as per DIN 45596.

For power supply units and connecting cables please see "Accessories".

Note well:

The extension cable is to be put between the power supply unit and the

mixing console. The total length of the cable shall not exceed 200 m. For

longer cables the line capacitance affects the frequency response of the

microphone. Trebles are undesirably attenuated.

Stand mounting/acceptance angles

The MZS 80 clamp with shock mount

(included) serves to fix the MKH 800

to a stand.

The proper acceptance angle is

indicated by the red LED.

The MZS 80 shock mount provides

better resistance to footfall.

Application tips

The MKH 800 is a versatile condenser microphone which is particularly well

suited to applications in the studio recording environment.

•

Its problem-free reproduction of high sound pressure levels makes it the

perfect mic for soloist. It also works exceptionally well as a supporting

mic.

•

Its low inherent noise makes the MKH 800 the ideal principal

microphone.

If the microphone is set to the supercardioid pick-up pattern, the monitors

in the studio need not be switched off in order to prevent feedback.

The MZW 80-1 pop shield effectively suppresses pop noise during close

miking. A special gauze pop shield is in preparation.

The extended frequency response is in particular suitable for recordings

with a sampling rate of 96 kHz.

Selection of pick-up patterns

Switch C serves to set the mic to five

different pick-up patterns:

Omnidirectional

The push-pull transducer incorporated

into the MKH 800 reduces the mic´s

directivity to a minimum for high

frequencies. The mic has a neutral

response to direct and diffuse signals.

This feature provides a sense of space

and depth and allows large sound

sources to be miked. For close-miking,

sound reproduction does not become

overbrilliant or shrill. No proximity

effect.

Wide-angle cardioid

The wide-angle cardioid pick-up

pattern is a combination of the

omnidirectional and the cardioid pick-

up pattern. A rear attenuation of 10 dB

allows a moderate attenuation of

diffuse signals from the rear and thus a

good reverberation balance for longer

distances to the sound source, even in

rooms which are acoustically less

perfect. Like the omnidirectional pick-

up pattern, the wide-angle cardioid

pick-up pattern is particularly well

suited to mike large sound sources.

For close-miking, the mic´s bass

emphasis is less high than with the

cardioid pick-up pattern.

Cardioid

The cardioid pick-up pattern is acoustically neutral for large acceptance

angles. Typical for the push-pull transducer is its high rear attenuation for low

frequencies (typ. 30 dB), which allows signals from the rear to be effectively

attenuated. The cardioid pick-up pattern is the most versatile characteristic. It

is the ideal choice for speakers, soloists and smaller instrument groups.

Supercardioid

The supercardiod pick-up pattern features a higher directivity than the

cardioid pick-up pattern, which results in efficient attenuation of diffuse signals

and prevents feedback. Thanks to its good lateral attenuation (10 dB), the

supercardioid pick-up pattern is particularly well suited to mike or support

soloists in noisy environments, i.e. situations in which lateral sound is to be

effectively suppressed. In this case, too, the transducer provides a frequency-

independent directivity.

Figure-of-eight

The figure-of-eight pick-up pattern provides total attenuation of lateral sound,

which makes it particularly well suited to separate or support adjacent sound

sources such as single instruments or instrument groups in large orchestras.

Annoying reflections from the floor and the resulting comb filter effects can be

effectively reduced.

Preattenuation / tone control

Switch L for preattenuation

If the output level of the MKH 800 is

too high for the following mixing

console, it can be reduced in two steps:

- 6 dB

- 12 dB

Switch H for treble emphasis

The treble emphasis can be adjusted in

two steps. For 8 kHz the increase

amounts to:

+ 3 dB

+ 6 dB

Switch B for bass attenuation

The bass response can be attenuated

in two steps. For 50 Hz the attenua-

tion amounts to:

- 3 dB

- 6 dB

Accessories

MZW 80-1

Foam wind-shield

functions as a close-miking and pop

shield.

KA 7 U

XLR connecting cable

Three-core cable with XLR/XLR

connector. Length: 7.5 m. Usable as

a connecting cable or an extension

cable.Preattenuation/tone control

Technical Data

short description

high-frequency studio condenser

microphone with 5 switchable

directional characteristics

transducer type

double push-pull pressure-gradient

transducer

directional characteristics

omnidirectional, wide-angle cardioid,

cardioid, super cardioid, figure-8

frequency range

sensitivity

30 - 50000 Hz

40 mV/Pa ± ldB (-28 dB re 1 V/Pa)

output impedance

maximum SPL

150 Ω

136 dB SPL

(142 dB SPL with 6/12 dB preattenuation)

maximum output voltage

5 V

equivalent SPL due to inherent noise 20 dB SPL (CCIR-weighted)

10 dB SPL (A-weighted)

output voltage due to inherent noise 8 µV (CCIR-weighted)

2.5 µV (A-weighted)

S/N ratio at 94 dB SPL ( 1 Pa)

dynamic range

74 dB (CCIR-weighted)

84 dB (A-weighted)

116 dB (CCIR-weighted)

126 dB (A-weighted)

switchable pre-attenuation

switchable bass rolI-off

switchable treble emphasis

6/12 dB (20/10 mV/Pa)

3/6 dB at 50 Hz

3/6 dB at 8 kHz

feeding

phantom feeding P48

48 ± 4 V / 3 mA

supply voltage / supply current

connector

XLR-3

diameter

length

weight

26.5 mm

178 mm

135 g

Subject to alterations.

Soll-Frequenzgang mit Toleranzfeld / Polardiagramm